a fifteenth wide open

Does it hurt yet?

2010-05-06T15:19:00.011+01:00

Fear not, I'm sure it will. If you haven't done so already, please assume the position now. Because you're going to get shafted. We're all going to get shafted. For about ten years according to one pundit. Won't that be nice?

Some people are calling this election exciting and interesting. I suppose the sinking of the Titanic was also exciting and interesting, for those immediately involved.

A thoroughly anal media has been wetting itself for several months now, posturing and courting a shedload of visiting smilers and handshakers, all desperate for our crosses of approval. Personally I would like the opportunity of hitting a bunch of them about the head with a lavatory brush, or a wet fish – the politicians, not the journalists (although, come to think of it...) but no, a mark in the box and a moan in the pub will have to do.

John Prescott leads the baying in Dudley Town Centre

George Osbourne and Quarry Bank Tories have a laugh

Lord Peter Mandelson makes a point in Netherton

David Cameron performing in Halesowen

I would like to think that as a nation we deserve better than the parade of sordid individuals who have floated to the surface over the past twelve months, or were we all very naughty in our previous lives?

On a more positive note, amid all the televisual charging around the country and frantic fibbing by the diabolical debaters, an advert for god knows what was screened, and the background music was the Humming Chorus from Madame Butterfly. An oasis of calm...

And the other day I visited the Osprey Project on the Welsh coast. Wetlands, grasses, water buffalo, and the sound of the cuckoo. A second oasis of calm.

Now if everybody else could just bugger off...

Phil

www.thesilverimage.co.uk

Toilet humour

2010-04-06T23:49:00.005+01:00

I was going to do a serious blog. Honest. I've been reading all the stuff about drugs, and censorship, and dog poo, and I thought, come on Phil, do your bit, your blogosphere needs you. World peace, fascist and anti fascist rallies, the forthcoming General Election involving Major Scandals and Private Misdemeanors, it's time to get involved.

So I sat flicking through my archive of negatives and digital files, knowing that the image that would set the page alive would jump out and grab me by the whatsits, and off I would go.

Well, the thought was there, as they say.

It must be a bloke thing. I was fully intent on doing a heavy, thought provoking, dangerous piece on vitally current issues, and then I found a picture of a lavatory in Mousehole, Cornwall.

Well, do I need to go on? It's like a woman with a picture of a cat, or dog, or polar bear (this happened in the office today, oohs, aahs, brain nil, heart nine) that's obviously the picture to go with.

So here it is. Sod the good intentions, let's have a laugh.

And next time, I'll probably be very serious about something, or nothing, or everything.

Public inconveniences, Cornwall

Phil

http://www.thesilverimage.co.uk/

Slow, slow, quick quick...

2010-04-01T11:58:00.002+01:00

It was possibly around ten years ago or more, probably on this very day, that my newspaper ran this story concerning the delicate subject of mating tortoises in our Black Country parks. Readers were warned to be on their guard as the regular spring ritual got under it's slow and laborious way. This prolonged and unsettled winter has meant that once again, vigilance and care are the watchwords...
For the long cold period and often harsh snowy conditions have taken their toll on our shelled friends, and if numbers are to be maintained, or indeed increased, then we need to be extra careful as nature takes it's course over the next few weeks.
In the main, tortoise experts are simply asking that as mating couples make their way to the tops of the trees in our parks and gardens, in order to do what nature requires, we give them time and space and do our best to reduce any stress that might hamper their progress.
Keep a watchful eye on family pets, because the first ten feet is the most dangerous and difficult part of the tree climb for any tortoise. Once clear of a yapping Fido, they can take their time, and choose whichever branch takes their fancy for the week long ritual.
Despite reports in some journals, tortoises don't build nests, but manage perfectly well in the crook of a new branch, with as many as a dozen couples sharing the same tree.
And apparently, you shouldn't be kept awake at night, as the whole thing goes off with hardly a murmur. Wish it was like that in our street...

Phil

http://www.thesilverimage.co.uk/

All I Want for Easter is a Beetle

2010-03-30T23:35:00.005+01:00

"The zoo's just rung, they've been donated a beetle found in some packaging...Can we get a picture?” Deep joy, I get to photograph a bug.

Climbing up Dudley Zoo's seven thousand steps to get to the bug house, I wheezed to the keeper “what is it, and what have you called it?” knowing that every little beastie has to be christened before it can be photographed. I assume it's to make them more cuddly, less alien, I mean you wouldn't squash something with your size elevens if it was called Tabitha, would you?

“Clive” is an Asian long horned beetle, which arrived in a consignment of paper from China. Another keeper, the keeper of bugs no less, dived into the back of a small enclosure, and emerged with something dark brown and horny safely enclosed in his giant mitts. I was less than impressed.

I was even less impressed, when, taking advantage of a slightly relaxed grip, Clive took to the wing and headed straight for me. “Oh, you should feel honoured, he doesn't normally do that!” Feeling thus honoured, but desirous of a quick finale to our little intercontinental encounter, lest the horny monster should require a further investigation of my camera bag/trousers/earhole, I took a quick light reading, set the shot up and twelve frames later said tarrah and all the best.

Skipping gaily down Dudley Zoo's seven thousand steps, I mused on the missed opportunity of giving Clive a name that actually had some meaning. If Clive had been an Indian beetle, his name would have been perfect. But Chinese? A Chinese beetle? Surely Wing Ho would have been just the ticket. He would have been a star beetle - Wing Ho. Star.

Oh all right.

I'll get me coat.

Phil

http://www.thesilverimage.co.uk/

Snaps in the city

2010-03-28T21:33:00.006+01:00

About fifty years ago I went to London for the first time, with a bunch of classmates from Sledmere Junior and Infants School ( we didn't do Primary then, I don't think the word was even invented..) Sandwiches smelling of the plastic container in which they were enclosed, orange squash smelling of the plastic container in which it was enclosed, a great big plastic camera dangling from my young neck, and the prospect of hurtling at previously unknown speeds down a newly opened M1 motorway, are memories that have possibly never been surpassed.

I vaguely remember walking on the surprisingly solid deck of the Cutty Sark, I couldn't believe a river could be as wide as the Thames, and I had no idea that Spam was going to be my main source of nutrition for the next decade.

And somewhere there's a clutch of snaps that I took with the eyes of a ten year old.

I still get excited now at the thought of a city visit. The spaces are different, bigger, wider, and filled with a greater variety of people than our everyday norm, but it never quite matches that first time (as with so many things) nevertheless I still take pictures.

You can find many interpretations of this image of the turbine hall at Tate Modern on the internet, it simply has a scale and quality of light that draws photographers.

Tate Modern, London

One thing that strolling around a city gives me is an even greater sense of anonymity than I'm used to in my everyday life, and that's about as anonymous as you can get anyway, without totally disappearing. On the one hand such total insignificance could be a tad upsetting, considering it's taken me over half a century to get here, but there are benefits to being near invisible.

And anything that helps to hide my six foot frame and nosey parker camera is very welcome. So, a bunch of other folk doing exactly the same as me, in a space where gawping and pointing is expected, is perfect camouflage.

The Eiffel Tower in Paris is a magnet for tourists, with camera toting visitors crawling all over, under and around it. And up it, obviously. The difficulty is snatching a photograph that excludes all the other sightseers.

I found this young girl practising her handstand on this stage of stages, with myself and the young man on the wall her audience. There were a thousand people there, somewhere, but for a fraction of a second, there were just the three of us.

Acrobat, Eiffel Tower, Paris

As a birthday treat last year I squeezed myself into the wonderful old city of Prague, where both agoraphobics and claustraphobics are somehow catered for in equal measure. I spent four days there, (midweek, avoiding the weekend invasion of visiting, vomiting Brits.) Helen Mirren was spotted on Charles Bridge – it's a structure, not a person – and I took hot chocolate in the cafe where the Velvet Revolution was planned.

There must be ten million pounds worth of photographic gear in use at any given time in that city, with most of the clicking taking place around the Old Town and castle. It's a good job camera shutters are quiet these days, or it would sound like mass tinnitus.

And you almost have to resign yourself to the fact that whatever picture you take has been taken god knows how many times before. But it's still better than buying the postcard.

Evidence of the Czech fascination with puppetry is everywhere, and quite disconcerting some of the images are too. Here is my two penn'orth, taken on the long slog up to Prague Castle. And next time I go, I'll probably try some of the absinthe ice cream, it might help to flatten out that hill.

Puppet shop, Prague

Phil
www.thesilverimage.co.uk

Jeepers creepers, what's that on the sleepers???

2010-03-18T11:16:00.003Z

“The train now standing at platform number two has just dumped a double dollop of doo-dah on the track...” Not one of the usual announcements to be heard at Stourbridge Junction station, I must say, but one that could justifiably be made on a regular basis, judging by the amount of doo-dah (human variety) and associated paper products that greet rail visitors to the town.

And no points for guessing whose job it was to photograph the unusually decorated length of track, after a rail user contacted the Stourbridge News to complain. I haven't shown a picture of it here, if you're that curious, get the paper.

Someone, or possibly a small army, has apparently been ignoring the 'no flushing while stationary' suggestion in the trains' loos, thereby autographing a sizeable stretch of rail track, while also providing a popular topic for debate among waiting commuters.

InterCity. Railtrack. You'll have to make up your own variants on these names (and more,) we all did, but I don't think I'm allowed to print them!

But joking apart, this can't be the only station in the country where this happens, and what on earth are we doing still flinging out our bodily waste products on railway lines up and down the land, without even so much as a gardez lieu?

Does this happen in other countries too?

It certainly gives another meaning to the term 'bullet train!!'

Phil

http://www.thesilverimage.co.uk/

Up close and personal

2010-03-13T23:49:00.010Z

I'm really interested in you. Yes, I am. I'm so interested, I've crossed over the road / changed the direction in which I was walking / ignored the people I was with before I saw you. I am so interested, with the way you look, the thing you are doing, the space you are doing it in, I'm going to walk right up to you, point this little black mechanical tool at you, study you for a few seconds, then capture your soul forever. Frightened? Offended? Perhaps, but hopefully you never really saw me.

This is how a certain sort of photographer operates. Americans call them street photographers, not a description I'm particularly happy with. I'm not sure how Europeans describe them. Us. We inhabit the spaces bypassed by tourists, generally.

The doorway, the cul-de-sac, the concrete nothingness of modern living space.

It's easy to aim your camera at a public icon, alongside a whole army of chimping gawpers, safe in the anonymity of numbers. It's almost expected.

Take your camera off the beaten track, concentrate on some little incident that tells a different story, and you are on your own, staking a claim in a minor happening that immediately raises it's importance.

Here are some minor happenings I've photographed over the years.

The child at Uttoxeter Racecourse was gazing with some interest up the skirts of the woman (who I assumed to be his mother.) I photographed them with a rangefinder camera and 35mm lens from about ten feet away.

Not too many years ago, a photographer could wander the streets and parks engaged in a shared innocence with adults, children, household pets, pretty much anything that was out there. Newspaper photographers regularly went out in search of 'fillers,' pictures to fill spaces in the paper when news was light. So pictures of children riding their Christmas bikes, families enjoying a bit of summer sunshine, real pictures of real people enjoying a slice of real time, were the norm. Just try that nowadays.

Even though more people than ever before are taking more photos on a greater variety of media, the obsessive clamp down on image makers in the name of data protection, security, and paedo-panic rationale makes it increasingly difficult to operate as a free photographic agent.

Yet we nod with approval at the announcement of more eyes in the skies to monitor our movements around shopping malls, art galleries, garden centres etc. We pay people to watch us, but we're discouraged from watching each other. How queer.

I think we should all go out onto the streets and have a damned good look at each other. Don't bother with Big Brother, there's a better show going on round the corner.

The woman in this picture demanded that it be taken out of the exhibition in which it was being displayed. The curator of the show refused. The children didn't react at all. Rangefinder camera, again with 35mm lens.

Fly on the wall. Voyeurism. Socio – documentary. Peeping Tom. I suppose the term you choose to use for watching other people depends on which side of the fence you think you are sitting. Call 'Big Brother Celebrity Whatsisname Why do You Think I Should Watch This?' a fly on the wall documentary, and it's possibly alright, in some eyes. (Shed a tear luvvie, they'll lap it up..) Call it voyeurism, and suddenly it's something else.

I suppose when the BBC or whatever decide to give us a good looking at, it's immediately classed as entertainment (light or otherwise) and that makes it ok. After all, you can't accuse a national institution such as the Beeb of being peeping toms, that's what we pay the police and various other agencies for.

If you're going to go out and stick your camera up people's noses, as an individual, be aware that whereas your subject might thoroughly enjoy and expect regular glimpses into the private lives of countless worthies who parade themselves daily in the corner of your living room, they will have a raft of human rights and data protection laws to quote to prevent you from doing just that.

Happy snapping.

These butchers were trying to sell the last joint of meat to a shopper. A Black Country hard sell. Can't remember whether she did or didn't.

Phil
www.thesilverimage.co.uk

Once upon a time, all these sheep were trees...

2010-03-03T21:30:00.007Z

Once upon a time all these sheep were trees... A favourite nonsense of mine that comments on passing time, transformations and certain irreversible facts of life. Change, just like you know what, happens.

Over the course of many years, working both professionally and privately, I've accrued many photographs depicting places and people in the Black Country and beyond that are now changed, or simply gone.

Sometimes a whole area is wiped out by the developers and transformed into a totally different environment (Merry Hill is an obvious example.) In other cases, it is perhaps a simple summer pastime that no longer exists due to an age trend, sociological change or an indifference to historical pattern.

So here's the beginning of an occasional series of snapshots from the not too distant past. Taken for one reason initially, history may now add another dimension to the picture.

Judge for yourself.

Cows graze near Round Oak Steelworks, Brierley Hill, 1976. The site is now the Merry Hill Shopping Centre.

For many people Saturday afternoon means football, at some level or other. I count myself among this baying, bleating, disbelieving, all knowing, ref baiting horde only in as much as I've spent nearly forty years photographing the damned thing.

But apart from four years covering West Brom for the local paper, I have operated at the corrugated tin, Mars Bar, stewed tea and one man with a dog end of the sporting spectrum, due to my choice of employer.

And to be totally honest, the game in question never held a great deal of fascination for me. I often found that my inability to capture the finesse and refined sporting artistry of the players was only matched by their inability to provide exactly the same qualities. Status quo.

But often with such events, the situation and ritual was as important as the kickabout, so spectator watching, cloud watching, and trying to keep warm held much of my attention.

These pictures were taken at Brierley Hill FC, in the 70's, when the club still had a decent following, and before the ground became Asda Superstore.

Flat caps and attitude, Brierley Hill FC supporters, 1976.

Toilets at Brierley Hill FC, with Round Oak Steelworks in the background.

At one end of Brierley Hill Black Country men and women wearing white aprons and wellies made sausages. At the other end Black Country men wearing dirty cotton and denim made steel. And dotted around an assortment of men and women wearing an assortment of things made glass.

This was the tail end of the seventies, and before long the sausages and steel would go, leaving the vestiges of a glass industry to hang in there, while on the horizon the massed armies of consumerism were biding their time, waiting for the inevitable march of change, or something like that.

Either way, Brierley Hill disappeared a little at this time. You could say it changed to keep pace with time, but it certainly ain't coming back.

You could say this change was necessary in order for Brierley Hill to co-exist alongside it's neighbour, the mighty Merry Hill.

You could say the town is on a path of re-juvenation, and once the planners have dotted all the i's and crossed all the t's it should all be tickety – boo.

Personally, I find the new road system to be a strange shape for a car park, I find the increase in stabbings and shootings in the local bars and clubs to be a tad worrying for someone with a young and growing family, I find the mind numbing artless waste of Merry Hill and it's muzak simply an insult to this area's requirements...but then that's just me.

I think there has been a sell out. Which means somebody has made money. Yippee.

And when the dollar lets you down, what will you do next?

Brierley Hill 1976, with Marsh and Baxters and Round Oak Steelworks dominating the skyline.

Phil
www.thesilverimage.co.uk

Footprints versus bumprints

2010-02-02T20:17:00.015Z

There are some mortals who are destined to leave footprints on the moon, and then there are countless millions who will only ever leave bum prints on a sofa.. (I'll try and keep this short, I don't want to get too comfortable.)

In my maddest flights of fancy, I whimsically aim for the former. But in the coldest darkness of night, the all enticing sofa, complete with nibbles, a glass of wine and (at the moment) Lhasa de Sela often succeed in enticing this feeble specimen to stay a little longer.

I sometimes manage to shrug off this multi-layered blanket of comfort, and I feel so good and self righteous, I think I might try it again someday. After a bit of a sit down. With a cup of tea perhaps.

On holiday of course, walking and sightseeing are the daily norm.

Cities are discovered on foot. Surprises are stacked up around every corner, and a dog wearing sunglasses in a Paris doorway means it must be Tuesday.

Sunbathing dog, Paris

Forsaking the sofa yet again, and presenting myself at the Antony Gormley installation 'Another Place' at Crosby, Merseyside, I found another dog who was enjoying the windswept, sandblown, rainlashed day about as much as me, but I had a camera.

Another Place, Crosby

Sometimes it's possible to combine a footprint with a bumprint. Don't feel anatomically challenged, let me explain.

A wonderful and fast changing summer storm brewed and hit Barmouth in Wales last year, with seven different sorts of light rolling down the prom in a matter of minutes. From the comfort of my parked car, and following a fish and chip supper, I sat and happily snapped away, recording the impressionistic patterns that were slowly rolling down my windscreen.

Summer storm, Barmouth

Of course, there isn't a sofa in the office, but there are some dubious footprints in the reception area. However, recent snowfall meant that staff photographers along with anybody else breathing in the locality were duty bound to be out recording this amazing phenomenon, just in case it never happens again. I didn't know whether to take pictures or buy bread.

Oops, Halesowen

All in all, I think walking about with a camera has the edge on XFactorBigBrotherAntiqueChefSoapGardens, and as long as I can stave off splashing about in my own piddle in a nursing home (thank you Catherine Tate) I might just continue to do that.

Phil

www.thesilverimage.co.uk

The other day I joined a rock band

2010-01-01T23:44:00.016Z

The other day I joined a rock band. Sort of. After a fashion. Well no, more like I helped create a rock band. Sort of.Etc.,etc.

It was certainly a quiet day in the office ('twixt Christmas and New Year) a graveyard shift if you know what I mean. There must have been eight of us waiting for the phone to ring/hoping the phone didn't ring.

The talk became idle, the mind became skitty (I don't think I know what that means) and the theme got round to photocopying body parts. Naturally.

Various below the waist options were suggested and rejected, eventually, then I asked if anyone had ever photocopied their face.. Brain tumours, cancer, blindness were all proffered as reasons to discontinue this line of thought, but I maintained that as long as eyes were closed and fingers and legs were crossed, all would be ok.

'Trust me, I'm a photographer' is a favourite lie of mine.

So I photocopied my face.

The resulting artwork convinced three other graveyard shifters that this was clearly the way forward. A fitting end to 2009, and an open invite to the nonsense possibilities of 2010. And now we had four A4 images of comatose - like journalists. Whatever next?

When laid down on the desk, it was immediately obvious that we had an album cover in the making. So Xerox, the post-punk industrial reggae-metal band was formed (in the mind at least) and a hasty email hailing our arrival on the rock scene was created and despatched to our newspaper's gig guide author Martyn Smith, who was actually on holiday and certainly not part of this cataclysmic explosion of festive fun. The band artwork was attached for extra authenticity. Rock style anagrams of our real names completed the picture. Job done, as they say. And it only took half an hour. (In the lunch break, obviously..)

When I finally left this place of fun and had a proper break for New Year, Dot and I discovered a brand new bridlepath walk around the countryside of Tenbury Wells, well away from roads, cars, fireworks, and television (although we honestly shed a few tears at the last episode of Gavin and Stacey - lush.)

And I was reminded of a picture taken last New Year's Day on a newly discovered walk near our home.

Lower Kyrewood, Tenbury Wells.

And finally, our lovely grandson Toby came and spent New Year's Eve with us. Four years' old, he wandered into the kitchen as I was struggling with Superion the Transformer while trying to make tea and toast, and demonstrating an uncanny ability to jump three feet from the spot (clearly a Jumping Joe Darby in the making) he asked 'Grandad, what is oil..?' Honestly, what chance do we stand?

We had our first holiday with Toby in September, a short break in Aberdovey for my birthday.
This picture was taken just before his first encounter with a tidal pool. Look out world.............

Happy New Year

Phil

www.thesilverimage.co.uk

Faces old, faces new

2009-12-28T00:16:00.037Z

Newspaper photographers photograph people.

More than anything else, we photograph people. Sometimes they are desperate to be photographed ( celebrities, politicians, anybody with something to sell, pr managed individuals who need to arrive through your letterbox, cloaked within the authenticity of journalism as opposed to advertising.)

Then we photograph ordinary folk, who have a story to tell, genuine major or minor stories, all important to the individuals concerned, and the photographs act as anything from basic id shots to powerful story telling images which burn themselves into the readers' collective imagination of the event. Often these people see the necessity for our presence, which can be invasive. Sometimes they don't.

And within this group fall the managed photo opportunities, staged by the police, the armed forces, or any authority who wish to promote their own agenda, who know that the press are desperate for any kind of coverage of a particular news event.

Then there are the people who would rather not be photographed, the offenders arriving at or leaving court, the public figures who have behaved in a way to offend public decency or standards (celebrities, politicians etc. etc.)

Faces. Fodder. Out there for public consumption.

Because Dudley/Stourbridge/Halesowen are considered marginal seats in the forthcoming General Election, expect to be swamped by handshaking, babykissing (oh no, they don't do that anymore, do they?) votegrabbing, smoothtalking politicos from somewhere else, well into Spring 2010. There's a treat.

In the past couple of months I have met Shadow Home Secretary Chris Grayling twice in Dudley and Stourbridge ( the last Shadow Home Secretary I photographed in Dudley was Tony Blair - whatever happened to him?)

And recently, Tory leader David Cameron was strutting his stuff in Halesowen, on one of his Cameron Direct roadshows. Very smooth, very slick, and won't his performance be fascinating on the forthcoming televised political debates...Thank you America. I might just find something else to do that night.

I spent half the session trying to frame his head within the halo of the background logo, just in case..

And then there are the new faces. Selling something, certainly. But selling something you might benefit from, something untainted, positive, something you could hang your hopes on.

Miranda Dickinson is a young Stourbridge author with her first novel in print. And it might just be massive. And she won't corrupt you. And she won't claim public money in order to further her career. And you might just be entertained.

Another face, at the moment relatively unknown...

Watch this space,
Phil

http://www.thesilverimage.co.uk/

A day out

2009-12-15T21:57:00.002Z

A regular pleasure is a drive to the mid Wales coast. From my home in Tenbury Wells, I head for Craven Arms, Churchstoke (and Harry Tuffins,) Newtown and the impossible to spell Machynlleth (actually it's easier to spell than to pronounce - Mahunthleth is one favoured version.)

So last weekend off we went. Christmas shopping list, MP3 player, camera and map on Dot's lap - I don't do satnav, it seems to dislocate a vital part of the brain...

Machynlleth offered up it's multicoloured treats, and presents were bought (but no Welshcakes this time, unfortunately.)

A tasty bacon buttie lunch, and off again, heading for Aberystwyth, with the promise of a view of the massed starlings performing their dance of the dusk at the end of the pier (one of many venues around the UK for this phenomenal display of late afternoon congregation.)

On the way, a little diversion to Borth, across the estuary from Aberdovey, and where, a couple of years ago I encountered a group of orthodox Jews on a day out, picnicking between the groynes, gently strolling and contemplating the whatever, while the RAF performed aerial acrobatics in the blue sky above. A bit like Jack Vettriano with added sky detail..

But no Jews or jets today. Just a sunset, and a mild query about where Muriel Delahaye the artist might live. We spotted some dark painted houses, and naturally assumed that was her home/studio.

This is one of Muriel's paintings, black, Welsh and spot on.

A drive through the late afternoon light brought us to Aberystwyth, but the starlings had already arrived and settled, so that's one to go for again in the New Year.

However, the town was poppin' with Christmas lights, students, Lottery hopefuls and folk like myself, a random assortment of expectants and passers through, fuelled by that strange tinge of optimism that radiates from Christmas deccies.

And Aberystwyth is one of those good looking towns, with a prom, a milk bar, a pier, a cliff railway, and if you're very lucky, sunshine.

The promenade, Aberystwyth

And then on the way home, one of my all time favourites - driving through the night, listening to Beth Orton, David Byrne & Talking Heads, Kate and Anna McGarrigle, Tom Waits and Joanna Newsom. Magic.

Phil

www.thesilverimage.co.uk

Shooting stars

2009-12-13T16:29:00.000Z

Last night I saw five shooting stars, and today I'm starting my first blog.

Is there a connection - who knows? I'll take it as a sign anyway, must remember not to burn out though.

I have a picture of my wife Dot and some friends on holiday in France, lying in the grass watching the midnight sky, all stars and candles, which I will post when I find the negative.

I've never seen so many people taking pictures as there are nowadays. When I first started taking photos on a Halina Paulette, probably fifty years ago, a roll of film would be bought for the summer hols in Cornwall, and I would still be using the same film at Christmas to photograph my mates building snowmen, igloos (we had drifts you could crawl into - and they did collapse, and we did get wet and cold) and sledging on the waste ground that still hadn't been built on.

But I was the only lad with a camera. And I still have prints and negatives from all that time ago.

My point is, what happens to all the photos being taken by amateurs and enthusiasts today?

I know that many never make it to the print stage, many are never archived onto hard drives or cd/dvd, they are deleted in camera or from the mobile phone once the subject has had a look and a giggle.. they are the shooting stars of the photographic world, a brief and possibly dazzling appearance, then wiped from existance in order to make space for the next digisnap.

The world is being documented like never before, but will enough of these images survive so that somebody in the future can try to make some kind of sense of it, so that whatever story is being written, future generations will have an archive of unparallelled proportions, from a far wider diversity of sources than ever before. Mr everydayman (and woman) are doing their bit to leave a mark.

Just remember to save some of it somewhere, so that we can have another look a bit later on.

Phil.